AI Image Editor
Single-variable adjustments for frames that almost pass: wardrobe, setting and light corrections with inputs preserved and prices shown upfront.
Adjustments in small, measured increments
The editor exists for frames that pass inspection except for one reading: the pose is right, the light is right, the wardrobe belongs to a different set. Instead of regenerating the frame and re-rolling every variable at once, you state a single adjustment — change this, hold everything else — and the instrument re-renders the frame on those terms. Per-job pricing is shown before you confirm, and the input frame is never overwritten; each pass files a new version beside it.
The adjustment procedure
Select frames worth adjusting
Frames whose composition and light already pass. A frame that fails on its bones is cheaper to regenerate than to correct.
State one variable
One instruction per job: wardrobe, or setting, or light. Single-variable passes keep the rest of the frame inside tolerance.
Compare versions side by side
Input and output sit together in your account. Ship the one that reads closer to the reference; the other has cost you nothing further.
Adjustments producers specify
One frame, three sets
The same passed frame dressed for three different packs — the most economical catalogue expansion on the bench.
Relocating the scene
Bedroom to hotel suite to plain studio, with subject, pose and light direction held constant.
Re-grading the mood
Daylight to evening, soft to hard — bringing an early frame up to the grade the rest of the series settled on.
Adjustment briefs, annotated
“Change the silver blazer to a deep slate evening dress. Keep pose, hair, expression and lighting identical.”
The change is named in one clause; the protection clause names everything that must not move. Both halves are doing work.
“Move the scene to a plain concrete gallery with cold light from the left. Keep the subject and pose unchanged.”
One environment exchanged for another. Asking for new setting, new wardrobe and new pose in a single job is a regeneration wearing an editor’s clothes.
Adjust or regenerate?
| Reading | Correct instrument |
|---|---|
| Composition passes; one detail fails | Adjust — the frame’s bones are kept and the cost is contained |
| Composition itself fails | Regenerate against a corrected scene line |
| One keeper needed in several outfits | Adjust repeatedly from the passed frame |
How is editing priced?
Per job, shown before you confirm. Adjusting a passed frame normally costs less than regenerating and re-checking a whole batch.
Does an adjustment overwrite the original?
No. Every pass produces a new file. The input stays in your account exactly as it was.
How many changes can one job carry?
One. Stacked instructions destabilise precisely the parts you were trying to hold constant.
Can I adjust uploaded photographs?
Yes — your own photographs, under the same consent rules as every upload on the bench.
Why did my edit drift?
The instruction was probably under-specified. Narrow it to one variable and name explicitly what must remain identical.
One account, one reference, every instrument
Stills, clips, adjustments, casting and finishing read from the same spec sheet and draw on the same balance. Set the reference once; the bench stays calibrated.
Open the generator